Ai no korîda (1976)

Ocjena korisnika

-

6,6 84%

Godina:

1976

Žanr:

biografski, drama, ljubavni, triler, horor

Trajanje:

109 min

> Mitsuwa Geisha
Tatsuya Fuji

> Kichizo Ishida
Komikichi Hori

> Mitsuwa Geisha
Kanae Kobayashi

> Old geisha Kikuryû
Kyôji Kokonoe

> Teacher Ômiya
Akiko Koyama

> Mansaki Geisha
Eiko Matsuda

> Sada Abe
Yasuko Matsui

> Tagawa Inn Manager
Kikuhei Matsunoya

> Hôkan jester
Rei Minami

> Mitsuwa Geisha
Aoi Nakajima

> Toku
Meika Seri

> Matsuko (Yoshidaya maid)
Naomi Shiraishi

> Geisha Yaeji
Taiji Tonoyama

> Old Beggar

Opis:

Erotska drama smještena u prijeratni Japan o opsesivnoj seksualnoj vezi gostioničara i gejše, snimljena prema motivima istinitog događaja.

Slično za pogledati
Komentari filma/serije

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Rei herself a museum employee is impressed by the photography exhibition of Suzuki Haruma and hires him for a project on the condition that he asks no questions in advance and surrender all...
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Film

biografski, drama, ljubavni, triler, horor (1976)

Ai no korîda

Ocjena korisnika

-

Godina:

Žanr:

Trajanje:

Režija:

Scenario:

Glavne uloge:

Opis:

Tokyo biyori (1997)

drama

An enchanting look at the lives of a Japanese couple, based on the real-life diary extracts of the husband. He is a slightly offbeat photographer, a profession that grew out of his publishing a book...

Still Life of Memories (2018)

drama, ljubavni

Rei herself a museum employee is impressed by the photography exhibition of Suzuki Haruma and hires him for a project on the condition that he asks no questions in advance and surrender all...

Bashing (2005)

drama

Yuko volunteered to be an aid worker in Iraq and was taken hostage there. When freed she returned to Japan, but after being home six months she is still the ongoing object of harassment from her own...

Gohatto (1999)

drama, istorijski, triler

Kyoto, 1865. godine. U hramu Nishi-Honganji vojska Shinsengumija odabire novake pod ravnanjem narednika Isamija Kondoa (Y. Sai) i kapetana Toshiza Hijikate (T. Kitano). Kandidati, opterećeni vrlo...

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